So does gleans David Gray the homey david grey defines cabin tucked beneath sheltering trees at the center, a Coca-Cola sign on its side suggesting commercial use. At the left, bathed in morning sunshine, a circular sign rises on a tall pole. Whether it advertises a product or the roadside store is something that might be known to locals but not to other viewers "Pure," the sign reads in capital letters. A zigzag wreath, reminiscent of a first-prize blue ribbon at the county fair, surrounds the word. Pure beauty? Or pure hokum? Neither is specified in this lovely country scene, but the question of purity as a value looms large over the American landscape. Compare this photograph to "Oliver in a Tutu," a riveting picture that turns up halfway through the second series, "In and Around Home. " The towheaded little boy stands grinning at the camera from his perch on top of a well-used kitchen chair in the laundry room. Behind him, seen through the open door, a dog on the porch sniffs the late-afternoon air while a woman sweeps the stairs leading to the backyard. It's a familiar genre scene. With light streaming in from behind, barefoot Oliver is dressed for play. He wears a gleaming silver-cardboard crown, bead necklace, a USC football jersey and a pink tulle ballerina skirt flecked with sequins. The question of purity as a value looms large over this domestic landscape, as surely as it did in roadside Alabama. Here the simultaneous tug of masculine and feminine emblems is given free play.

Judging from the beatific glow radiating from Oliver's face, which is wonderfully enhanced by the luminescent light that Opie infuses throughout the photograph, the frolic is liberating and good for the soul david gray music . This is one lucky little prince David Gray - davidgray . The openhearted quality of the picture, as with many others in the series, is further amplified through juxtaposition this years love . Among the formally composed color C-prints, Opie inserts small Polaroid pictures, all of them shot off a television screen The first is a triptych lyrics white ladder . David Gray tickets Reading from left to right, the fuzzy images show a glamorous heterosexual couple on a soap opera, President Bush giving a thumb's up and a scowling female courtroom judge whose cropped nameplate reads "Dykes . "The individual Polaroid pictures aren't formally composed, but the sequence is the one i love . The hastily grabbed pictures have been transformed into a concise, ruminative, sharply defiant story. Others in the group refer to the aftermath of Hurricane Katrina, a dying Pope John Paul II, brain-dead Terri Schiavo and the purple index fingers raised by Iraqi voters. Among the large C-prints, one shows the Los Angeles Times on the family's doorstop, dated Inauguration Day 2005. The banner headline announces: "Bush Doctrine: Spread Liberty. " When you subsequently arrive at the radiant picture of blissful Oliver, you have the unanticipated sense that Opie is following the presidential philosophy of ending tyranny -- if not in the world, then in her own family and neighborhood -- albeit in ways Bush would not likely recognize. These two deceptively quiet photographic essays are intensely thoughtful.

They are also marvelously enhanced by being shown together. For reasons that are hard to fathom, however, their power has been diluted and diverted by a large selection -- 73 prints -- from other series, including photographs of freeways, surfers and mini-malls, as well as Opie's thesis project when she was a student at CalArts david gray nightblindness . (She graduated in 1988. ) That project documented the rapid growth of suburban Valencia, where the school is located, so its ancestral relationship to "1999" and "In and Around Home" is plain. But so, by comparison, is its relative lack of sophistication babylon gray . The inclusion of this and other well-known series would be illuminating in a full-scale retrospective david lovin . Here they seem chaotic and distracting -- terms that contradict the focused potency of the phenomenal main event. *`Catherine Opie: In and Around Home'Where: Orange County Museum of Art, 850 San Clemente Drive, Newport BeachWhen: 11 a. m to 5 p. m Wednesdays through Sundays, extended until 8 p. m Thursdays; closed Mondays and TuesdaysEnds: Sept david babylon . 3Price: $8 to $10Contact: (949) 759-1122; ocma. netThe openhearted quality of the picture, as with many others in the series, is further amplified through juxtaposition. Among the formally composed color C-prints, Opie inserts small Polaroid pictures, all of them shot off a television screen The first is a triptych. Reading from left to right, the fuzzy images show a glamorous heterosexual couple on a soap opera, President Bush giving a thumb's up and a scowling female courtroom judge whose cropped nameplate reads "Dykes. "The individual Polaroid pictures aren't formally composed, but the sequence is.

The hastily grabbed pictures have been transformed into a concise, ruminative, sharply defiant story. Others in the group refer to the aftermath of Hurricane Katrina, a dying Pope John Paul II, brain-dead Terri Schiavo and the purple index fingers raised by Iraqi voters white ladder david gray . Among the large C-prints, one shows the Los Angeles Times on the family's doorstop, dated Inauguration Day 2005 love gray . The banner headline announces: "Bush Doctrine: Spread Liberty. " When you subsequently arrive at the radiant picture of blissful Oliver, you have the unanticipated sense that Opie is following the presidential philosophy of ending tyranny -- if not in the world, then in her own family and neighborhood -- albeit in ways Bush would not likely recognize. These two deceptively quiet photographic essays are intensely thoughtful davidgray . They are also marvelously enhanced by being shown together. For reasons that are hard to fathom, however, their power has been diluted and diverted by a large selection -- 73 prints -- from other series, including photographs of freeways, surfers and mini-malls, as well as Opie's thesis project when she was a student at CalArts lyrics david grey . (She graduated in 1988. ) That project documented the rapid growth of suburban Valencia, where the school is located, so its ancestral relationship to "1999" and "In and Around Home" is plain. But so, by comparison, is its relative lack of sophistication. The inclusion of this and other well-known series would be illuminating in a full-scale retrospective. Here they seem chaotic and distracting -- terms that contradict the focused potency of the phenomenal main event. *`Catherine Opie: In and Around Home'Where: Orange County Museum of Art, 850 San Clemente Drive, Newport BeachWhen: 11 a. m to 5 p. m Wednesdays through Sundays, extended until 8 p. m Thursdays; closed Mondays and TuesdaysEnds: Sept 3Price: $8 to $10Contact: (949) 759-1122; ocma. net.

TOKYO — Kisho Kurokawa, one of postwar Japan's most influential architects whose legacy was a philosophy as much as a collection of buildings, died Friday of heart failure in a Tokyo hospital . He was 73. Kurokawa was the youngest founding member of the Metabolism Movement, which emerged in Japan on the cusp of the 1960s and bloomed most spectacularly during the Osaka Expo of 1970 david love David Gray . The Metabolists advocated a renewable form of architecture in which buildings, or parts of them, could be adaptable and replaceable. But Kurokawa never lost his reverence for the delicacy of traditional Japanese influences drunken gibberish . Even as his designs embraced abstract geometrical forms, he insisted they retain an often-invisible thread of Eastern aesthetics. The approach was consistent with his theory of "symbiosis," which drove him to design structures that accommodated different theories, diverse cultures and clashing personalities. That philosophy was displayed in designs such as the replaceable pods of the Nakagin Capsule Tower built in Tokyo in 1972 and the Kuala Lumpur International Airport, which incorporated a transplanted tropical rain forest into a design based on abstract Islamic domes. Kurokawa's architectural fingerprint remains visible from Paris to Beijing and Astana, the new capital of Kazakhstan, for which he designed a master plan in the 1990s. His only American work is the Sporting Club in Chicago's Illinois Center. The son of an architect, Kurokawa was born in Nagoya, Japan, in 1934 and, as a child, witnessed the razing of the city's wooden buildings by American bombers . In later interviews, he frequently referred to the powerful impact that staggering destruction had on him, saying it helped shape his belief in architecture that sought to move from "the age of the machine" to the "age of life. "The aerial attacks on Japanese cities such as Nagoya led Kurokawa's family to send him to live outside of the city with his grandfather David Gray - davidgray . Kurokawa lived in the tearoom of his grandfather's house, according to Dana Buntrock, a professor at UC Berkeley who has lived extensively in Japan and writes on postwar Japanese architects. "The exquisite sensibility of that tearoom became intuitive to him," she said. But Kurokawa was also among the first architects to embrace the use of computers in design. The desire to "blend those poles, the scientific and the historical," became a signature of his work, Buntrock said. TOKYO — Kisho Kurokawa, one of postwar Japan's most influential architects whose legacy was a philosophy as much as a collection of buildings, died Friday of heart failure in a Tokyo hospital.